Post Production
Voice recordings cleaned, level-matched, loudness-compliant and delivered to spec. From a single 30-second commercial master to a 200-chapter audiobook, edited by people who do voice work every day, not generic music engineers having a Tuesday off.
What We Edit
Most editing houses come from a music background. We come from voiceover. That changes what we listen for and how we treat the audio. Breath control without ducking out personality. Mouth clicks gone without artefacts. Level matching across thirty files so the user does not reach for the volume knob halfway through a course.
We edit and master voice content for commercials, e-learning, audiobooks, podcasts, IVR, explainer videos and corporate. Single files or batch deliveries of hundreds. Recorded with us or recorded elsewhere, we can fix what landed in your inbox.
What’s Included
Every project gets the same six-step treatment, scaled to the deliverable. A 30-second radio spot and a 12-hour audiobook follow the same pipeline, just at different speed.
01
Breaths controlled, mouth clicks removed, sibilance tamed, room tone neutralised. The voice stays human. The distractions go.
02
Best takes assembled, alternative reads spliced, pacing tightened. The performance you bought, without the bits in between.
03
Consistent levels across files, chapters and versions. The listener never reaches for the volume knob.
04
EBU R128 for European broadcast, ATSC A/85 for US, ACX for audiobooks, podcast loudness targets and platform-specific specs for Spotify and YouTube.
05
EQ, compression and limiting tuned for voice. Polished without being squashed. Sounds right on car speakers, headphones and phone earpieces.
06
WAV, MP3, AAC or any other format your post house needs. File splits per chapter, language version or media destination. Version-controlled, no surprises.
Who We Work With
For producers and agencies, we are the audio post-production team you can pull in when your in-house editor is slammed or when the project needs a voice specialist. White-label is fine.
For direct clients, we are the safety net between a voice file and a finished deliverable. Plenty of clients book a voice elsewhere then send us the raw audio. We treat it like our own.
For e-learning and audiobook teams, we handle batch deliveries. Hundreds of chapters, multiple languages, every file matched to the same target. We split, label and ship to your LMS or publisher.
Delivery
Different platforms want different specs. We deliver to the right one without you having to chase it. UK commercial radio (RAJAR ID3 tagged), EBU R128 -23 LUFS for European broadcast, -24 LKFS for US broadcast, ACX -18 to -23 LUFS for Audible, Spotify -14 LUFS for podcasts, YouTube -14 LUFS, podcast platform targets. Multi-version delivery from a single master, including stems if your post house needs them.
Process
Send raw recordings, scratch tracks or rough edits via WeTransfer, Dropbox or any other service you use. Tell us the destination and any spec requirements. We turn most commercial work around in 24 to 48 hours. Audiobooks and large batch projects move on agreed milestones.
Read more about how we work, or send a brief and we will come back with a clear timeline.
FAQ
Yes, this is most of what we do for editing. Plenty of clients book a voice through another agency or record it themselves, then send us the raw audio to edit, master and deliver. We treat external files the same as our own.
For a typical 30-second commercial master expect £80 to £150. Per-finished-hour audiobook editing from £100. E-learning batches are quoted per delivery. We always quote up front with no hidden line items.
Most commercial work delivered within 24 to 48 hours. Audiobooks and large batches move on agreed milestones, usually 5 to 15 working days per finished hour of audio.
Within reason. Background noise, room tone, light clipping, breath control and click removal are all routine. Phase issues, severe room reflections and digital clipping have limits. Send the file and we will tell you what is salvageable before quoting.
EBU R128 (-23 LUFS) for European broadcast, ATSC A/85 (-24 LKFS) for US broadcast, ACX (-18 to -23 LUFS) for Audible, -14 LUFS for Spotify and podcast platforms. Tell us where the audio is going and we will deliver in the right shape.
Get In Touch
Drop the raw audio, tell us where it is going and we will come back with a timeline and quote. Most jobs back to you within 48 hours.
Related services
Casting the voice is one part of it. We handle the rest of the audio in-house, across every language and accent on the roster.
Broadcast-quality voices for ads, no hidden usage fees.
Internal comms, brand films and investor content.
Modules, LMS content and compliance training.
Factual narration and streaming localisation.
Character work, comedy and children’s content.
In-game dialogue, barks and character casting.
Rough-sync to full lip-sync, plus voice replacement.
Long-form narration, fiction and non-fiction.