adr voiceover

DUBBING AND ADR VOICE TALENT

Dubbing & ADR Agency UK

Easy Tiger Voices is a UK dubbing and ADR agency. Lip-sync dubbing into English and major European languages, ADR for film and television, voice replacement, kids’ dubs and faithful localisation for streamers, broadcasters and theatrical release.

Localisation that survives the cut

Dubbing is the most technically demanding format in voiceover. The performance has to match lip movement, body language and emotional beat of an original take filmed in another language, recorded weeks or months earlier, by an actor the dub voice will never meet. Done well, it disappears – the audience forgets within a minute that the show was originally in Korean or Spanish or Japanese.

We work as a dubbing and ADR agency for streamers, broadcasters, independent production houses and theatrical distributors, dubbing into English from major source languages and out of English into French, German, Spanish, Italian, Polish, Dutch, Portuguese, Russian and beyond. Our directors are bilingual where it matters, our cast are screen actors as much as voice actors, and our pipeline is built around the realities of streaming workflow.

At a glance

Dubbing and ADR, UK-based

  • English plus major European languages
  • Rough-sync, time-sync and full lip-sync
  • Rhythmo-trained direction for premium projects
  • Netflix, Prime Video, Disney+ and BBC QC-passed

What dubbing and ADR works for

  • Streaming and TV – streaming originals (Netflix, Prime, Disney+), broadcast drama and limited series, comedy and sitcom dubs, telenovela, reality and documentary localisation
  • Film and theatrical – theatrical feature dubs, animated features, family and kids’ content, anime and Asian-language features, festival and limited theatrical release
  • ADR and voice replacement – post-production ADR for film and TV, voice replacement, accent adjustment for international cuts, looping and walla, anonymisation
  • Children’s and family – linear and streaming kids’ content with full-cast dubbing
  • Corporate and brand dubs – global rollouts and event films requiring matched-language versions

Rough-sync, time-sync, full lip-sync

Dubbing breaks down into rough-sync, time-sync and full lip-sync, and the technique scales accordingly.

Rough-sync

Tracks the original within the line but does not chase precise mouth shapes – the original audio is often left under at low level. Used most in documentary and some reality formats.

Works for: documentary, reality, factual and current affairs localisation.

Time-sync

Hits in and out points precisely and follows performance beats, but allows slight flex on lip closures. Used in much TV drama and comedy dubbing.

Works for: streaming drama, comedy and sitcom dubs, telenovela, mid-tier TV.

Full lip-sync

Matches on bilabials, labiodentals, open-mouth vowels and lip closures throughout. Standard for theatrical features, premium streaming originals, anything where the dub is the only audio. Requires adapted-script work and disciplined performance, with rhythmo-trained direction where appropriate.

Works for: theatrical, premium streaming originals, animated features, anime.

ADR and same-language replacement

Post-production ADR, voice replacement, anonymisation, looping. Original actor often returns to re-record themselves and must match their own earlier performance months later.

Works for: film and TV ADR, voice replacement, witness-protection content, looping.

How to brief us

Send time-coded script, picture reference, M&E stems and platform spec. We will return casting with reference to the original performer’s voice, age and physicality.

  • Time-coded script and picture reference
  • M&E stems and dialogue stems where available
  • Sync level – rough, time, full lip-sync
  • Platform spec – Netflix, Prime, Disney+, BBC or theatrical

Get a Quote

Ready to dub?

Dubbing and ADR talent, bilingual direction, dialogue stems and full mix to streamer or broadcaster QC.

hello@easytigervoices.com
020 7183 3750

Contact Us

Dubbing and ADR - FAQs

English most commonly, plus French, German, Spanish (Castilian and Latin American), Italian, Polish, Dutch, Portuguese (Iberian and Brazilian), Russian and others on request.

Yes. Full lip-sync is standard for our theatrical and premium streaming work, with adapted-script writing and rhythmo-trained direction where appropriate.

Yes. Post-production ADR, voice replacement and anonymisation work in English are core services from our London studio.

Yes. Our deliverables meet Netflix, Prime Video, Disney+, BBC and major broadcaster technical and editorial QC.

Yes. Children’s and family dubbing – both linear and streaming – is a significant part of our work.

A standard hour-long drama episode is usually three to five recording days in the dub language, plus mixing and QC. Schedules are confirmed on episode count and lock dates.

Related services

Everything else the project needs

Casting the voice is one part of it. We handle the rest of the audio in-house, across every language and accent on the roster.

TV & Radio Commercial

Broadcast-quality voices for ads, no hidden usage fees.

Corporate

Internal comms, brand films and investor content.

E-learning

Modules, LMS content and compliance training.

Documentary

Factual narration and streaming localisation.

Animation

Character work, comedy and children’s content.

Video Game

In-game dialogue, barks and character casting.

Audio Editing

Cleaned, mixed and mastered to your delivery spec.

Audiobook

Long-form narration, fiction and non-fiction.