Global Voice Talent, One London Agency
Easy Tiger Voices is a London-based multilingual voiceover agency representing native talent across 40+ languages worldwide. One brief, every market – cast by an agency that knows the difference between Castilian and Latin American Spanish, European and Brazilian Portuguese, Mandarin and Cantonese. No fluent-second-language stand-ins, no machine-localised reads, no compromises.
Positioning
Every voice on our multilingual roster is a native speaker. Not a fluent second-language artist, not an actor “doing the accent”, not a translator with a microphone. Native delivery carries natural rhythm, regional nuance and authentic intonation that audiences recognise instinctively, and the difference between native and near-native is the difference between a campaign that lands and one that feels translated.
We cast across European, Nordic, Asian, Middle Eastern, African and Latin American markets, and we are one of the very few UK agencies with genuine Frisian, Flemish and dialect-specific Arabic on roster. Whether you need a single ad in Polish or a 40-language localisation programme co-ordinated from one studio, you brief once and we handle the cast.
At a glance
Use Cases
Roster
Click through to the dedicated page for each language. Every page has a focused roster, demo selections and a brief on what each language reads best for. Dialect, regional variant and bidialectal range marked on every voice profile.
Native French voices across France, Belgium, Switzerland and Quebec. Parisian for national French campaigns, Belgian and Swiss for regional reach, Canadian French for Quebec-targeted media.
Ideal Forluxury, fashion, automotive, banking, tourism, French-government and EU-institution work.
Native German talent with Hochdeutsch precision and regional warmth, covering Germany, Austria (Wienerisch) and Switzerland (Schweizerdeutsch). Automotive and engineering through broadcast and eLearning.
Ideal Forautomotive, finance, engineering, B2B SaaS, broadcast, eLearning and DACH-region campaigns.
Castilian Spanish for Spain, plus Mexican, Argentine, Colombian and “Neutral Latin American” for the Americas. We match regional variant to target market so the read does not jar in Buenos Aires when written for Madrid.
Ideal Forcommercials, telenovela and streaming dubs, eLearning, telecoms, tourism and global B2B.
Native Italian speakers in Standard Italian for national and broadcast work, plus voices with regional range (Roman, Milanese, Neapolitan, Sicilian) for character and drama briefs.
Ideal Forfashion, automotive, food and drink, corporate, drama and Italian broadcast.
Native Dutch voices for the Netherlands and Flemish-speaking Belgium, plus the rare addition of native Frisian. One of the very few UK agencies with genuine Frisian on roster.
Ideal ForDutch national advertising, Benelux corporate, NPO and VRT broadcast, eLearning, tourism.
European Portuguese for Portugal and Lusophone Africa, plus Brazilian Portuguese (Paulista, Carioca) for Brazil and global Brazilian markets. Two distinct sounds, properly separated, never blended.
Ideal Forstreaming dubs, tourism, eLearning, telecoms, Brazilian advertising and Portuguese broadcast.
Native Brazilian voices with Paulista and Carioca registers, the dominant accents in Brazilian media. Standard for streaming-platform dubs, telenovela voiceover and Brazilian advertising.
Ideal Forstreaming-platform dubbing, advertising, eLearning, fintech, gaming and Brazilian broadcast.
Native Polish voices for advertising, eLearning and corporate localisation, plus dubbing-style delivery for the Polish streaming and broadcast market. Strong UK Polish diaspora coverage.
Ideal ForCEE advertising, eLearning, public-sector localisation, broadcast and Polish-language UK campaigns.
Native Russian voices for advertising, corporate, documentary and dubbing. Moscow-standard Russian plus voices with range across Eastern European and former-Soviet markets where Russian remains the lingua franca.
Ideal ForB2B, documentary, broadcast, eLearning and Russian-language UK and CEE work.
Modern Standard Arabic for pan-Arab broadcast and corporate, plus dialect-specific Gulf, Levantine and Egyptian voices for region-targeted advertising. Dialect matters more in Arabic than almost any other language.
Ideal ForMENA advertising, broadcast, public-sector, aviation, hospitality and global Arabic-facing campaigns.
Native Hindi voices for the Indian subcontinent and the global Indian diaspora. Standard Hindi for national broadcast and advertising, plus voices with range into Indian English and major regional registers.
Ideal ForIndian advertising, Bollywood-adjacent content, eLearning, fintech, telecoms and diaspora-targeted UK work.
Native Indian English voices for global B2B, IT, SaaS and BPO-targeted content, plus India-facing advertising in English. Different sound to Hindi and casts for very different briefs.
Ideal Forglobal B2B SaaS, IT services, BPO, eLearning and India-targeted English-language advertising.
Native Mandarin voices for Mainland China (Putonghua) and Taiwan (Guoyu), with the simplified vs traditional distinction handled at script stage. Highest-value B2B language outside English.
Ideal Forluxury, automotive, fintech, B2B SaaS, China-facing global brands and Taiwanese broadcast.
Native Japanese voices for advertising, broadcast, anime/animation, video game character work and corporate localisation. Tokyo-standard Japanese plus voices with range across the major regional registers.
Ideal Forautomotive, gaming, animation, luxury, fintech, anime and Japanese broadcast localisation.
Native Korean voices for advertising, K-content dubbing, gaming and corporate localisation. South Korea sits in the top tier of global media markets and Korean has become a default for streaming localisation.
Ideal Forgaming, K-drama and streaming dubs, automotive, fintech and Seoul-targeted advertising.
Native Turkish voices for advertising, eLearning, broadcast and corporate localisation. Covers the Turkish-speaking diaspora plus CEE and Middle Eastern B2B markets where Turkish is a regional power language.
Ideal ForCEE B2B, tourism, automotive, eLearning, dubbing and Turkish broadcast.
Native Greek voices for advertising, tourism, shipping and corporate localisation. Standard Greek for national broadcast and the dominant register for commercial work targeted at Greece and Cyprus.
Ideal Fortourism, shipping, food and drink, EU institutional work and Greek broadcast.
Native Swedish voices for advertising, gaming, eLearning and broadcast. Sweden is a major hub for global tech and gaming localisation and Swedish reads with a clean, contemporary tone.
Ideal Forgaming, tech, automotive, eLearning, IKEA-tier B2C and Nordic broadcast.
Native Norwegian voices in both Bokmål and Nynorsk written-form variants, with the major Oslo, Bergen and northern regional registers covered. Strong for Nordic-region B2B and Norwegian broadcast localisation.
Ideal Forenergy, shipping, fishing and aquaculture, gaming, eLearning and NRK broadcast.
Native Danish voices for advertising, eLearning, broadcast and corporate localisation. Copenhagen-standard Danish for national broadcast plus voices with regional range across Jutland and the islands.
Ideal Fordesign and architecture, retail, eLearning, gaming and Danish broadcast.
Native Finnish voices for advertising, gaming, eLearning and corporate localisation. Finland sits in the top tier of global gaming production (Supercell, Remedy) and Finnish localisation is a strong vertical for us.
Ideal Forgaming, tech, telecoms, eLearning and Finnish broadcast localisation.
Native Czech voices for advertising, eLearning, broadcast and corporate localisation. Prague has become a hub for European post-production and Czech-language work crosses into broader CEE B2B markets.
Ideal ForCEE B2B, automotive, eLearning, gaming, post-production and Czech broadcast.
Catalan, Basque, Galician, Slovak, Hungarian, Romanian, Bulgarian, Serbian, Croatian, Ukrainian, Thai, Vietnamese, Indonesian, Malay, Tagalog, Swahili, Afrikaans, Welsh-language – all on roster, all marked. If the brief calls for a specific language or dialect, send it through and we will pull a focused shortlist.
Brief Ustell us the target language, target market and use case and we will come back with a focused shortlist of native voices.
Standards
Three things separate well-cast multilingual voiceover from the kind that makes the audience reach for the subtitle track:
“Spanish” is not a brief. Castilian, Mexican, Argentine and Neutral Latin American all read very differently and miscasting between them stops the work landing. Same goes for European vs Brazilian Portuguese, MSA vs Egyptian Arabic, Hochdeutsch vs Wienerisch. We cast to the regional variant, not the language in the abstract.
A C2-fluent Russian speaker who learned the language at university is not the same as a Moscow native, and the audience in Moscow knows it inside a sentence. Every voice on our multilingual roster grew up speaking the language at home. Where range exists, the boundaries are marked clearly on the profile.
Multi-market campaigns fall apart when each language is cast by a different agency working to different turnaround, tone and rate cards. We co-ordinate every language version centrally. One brief, one shortlist process, one delivery pipeline, one invoice.
Briefing
Send us your script, tone reference, target languages and deadline. We will come back with focused shortlists drawn from native voices in each language and dialect, with rates and availability.
Questions
40+ languages including all major European (French, German, Spanish, Italian, Dutch, Portuguese, Polish, Russian, Czech, Greek), Nordic (Swedish, Norwegian, Danish, Finnish), Asian (Mandarin, Japanese, Korean, Hindi, Indian English), Middle Eastern (Arabic in MSA and major dialects, Turkish) and African (Swahili, Afrikaans). We also cover less-common languages like Frisian, Flemish, Welsh-language, Catalan and Basque. If you need it, ask us.
Yes. Every voice on our multilingual roster grew up speaking the language at home. We do not use fluent-second-language artists, AI synthesis or machine-localised reads. Where a voice is bilingual or has range across dialects, we mark the boundaries clearly so you know exactly what they can deliver.
That is the default. Castilian or Mexican Spanish, European or Brazilian Portuguese, Hochdeutsch or Austrian German, Gulf or Levantine Arabic – we cast to the regional variant, not the language in the abstract. Tell us the target market and we will match the dialect to it.
Yes. Multi-language campaigns are most of what we do. One brief, parallel casting across every language version, tone-matched shortlists, aligned delivery pipeline and a single point of contact. You do not need to hunt for separate agencies in each market.
Fees are driven by usage, language rarity and market. A web video in French is cheaper than a national TV ad in Mandarin, which is cheaper than a worldwide campaign in ten languages. Send the script, language list, media plan and term and we will quote within the working day.
Yes. We run sessions over Source-Connect, Cleanfeed, Zoom or Teams every week with US, European and Asian clients directing live into our London booth, across every language we cover.
Single-language turnaround is twenty-four hours from script approval. Multi-language campaigns we typically deliver inside three to five working days for ten or fewer languages, longer for full localisation programmes. For urgent broadcast work we routinely turn jobs faster.
Voicing is our core service but we work with trusted translation partners and can manage the full pipeline from English script through translation, adaptation, casting and recording to delivery. Tell us where you need us to start and we will quote accordingly.
Get In Touch
We work with agencies, production companies and direct clients across the UK and internationally. Native multilingual voices, London production, broadcast-ready delivery in any language.